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primary elements of Andalusian and Moorish architecture (V): Living with Moorish lantern.

Nazari flashlight Hall is a late prototype, only common in the fourteenth century Moorish architecture that has its origin in the "qal'a" Egyptian Mamluk building of origin, consisting of a rectangular or square room in the center there are four columns with arches or lintels Acodal the immediate walls of the room. On the central square stands a flashlight with weak puffs lattice windows that allow ventilation and lighting overhead. The qubba or torch was covered with armor eslactiticas woody or stalactite domes.

In the rest room or "Beds" of the Royal Bath, or Mexuar of Muhammad V, or some of the interiors of the Torres-Palaces of the Alhambra Partal like the Princesses reached very imaginative ways , which were isolated in the Moorish art does not go beyond what Mudejar.

Alhambra Palace, Granada (s. XIV). Showing plant living spaces with a flashlight.

Alhambra Palace, Granada (s. XIV). Plant of the royal baths in medieval times.

Alhambra Palace, Granada (s. XIV). Plant of the royal baths today.

Alhambra Palace, Granada (s. XIV). Section of the royal baths today.

Alhambra Palace, Granada (s. XIV). Interior of the royal baths.

Alhambra Palace, Granada (s. XIV). Mexuar plant in medieval times.

Alhambra Palace, Granada (s. XIV). Mexuar plant today.

Alhambra Palace, Granada (s. XIV). Interior Mexuar.

Lecture by D. Rafael Manzano Martos on November 17, 2010 at the School of Architecture at the University of Notre Dame, USA.

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Primary Elements in Andalusian Architecture (V): Nasrid room with lantern.

Later This is a prototype, only Nasrid common in 14th century art, Whose origin is Egyptian Mamluk "Qa'a" building. It consists on a rectangular or square room with four columns in STI center, Which Are Immediate connected to walls by arches or lintels. A lantern with lattice windows stands Over the central and allows ventilation and overhead lighting. This Qubba or lantern was covered with wood trusses or mocarabe domes. 

Architects in Alhambra Palace reached very imaginative ways to cover these spaces, as we can see in Muhammad 5th's Meunar (Royal Bath) or Partal and Infantas Towers. However, these solutions are exclusive in Nasrid art and were not used in Mudejar. 

 Alhambra Palace, Granada (14th c.). General plan showing rooms with lantern.

     Alhambra Palace, Granada (14th c.). Plan of Royal Bath in Middle Ages.

          Alhambra Palace, Granada (14th c.). Plan of Royal Bath today.

               Alhambra Palace, Granada (14th c.). Section of Royal Bath today.

          Alhambra Palace, Granada (14th c.). Interior of Royal Bath.

Alhambra Palace, Granada (14th c.).  Plan and elevation of Mexuar in Middle Ages. 

  Alhambra Palace, Granada (14th c.).  Plan and elevation of Mexuar  today. 

  Alhambra Palace, Granada (14th c.).  Interior of Mexuar . 

Lecture by D. Rafael Manzano Martos on November 17, 2010 at the School of Architecture at the University of Notre Dame, USA

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primary elements of Andalusian and Moorish architecture (IV): Living room or alhanías elongated side.

space This combination is a "phrase" archetypal of the whole Moorish Spain Moorish architecture. This is a long narrow room, placed parallel to the gate of entrance from the patio. In its extremes are two rooms, originally square and separated by paths of the main hall doors. These rooms are called 'alhanías "or" bedroom. " This last word comes from "the qubba, and according to some scholars only be used if these parts are covered with domes, which sometimes occurs, for example in a house of Patio de Banderas Alcazar of Seville Almohad period, but is rare.

The model is already perfectly clear and developed in the palace of Medina Azahara home, and comes from the Fatimid Cairo. The phrase is so defined that, when one of these rooms for certain reasons there of its two alhanías, decorated and painted a dummy arc, to keep the symmetry of space.

City of Medina Azahara Palatine, Córdoba (936-976). General plan showing all type spaces elongated room with side alcoves.

City of Medina Azahara Palatine, Córdoba (936-976). Details of the plants excavated buildings, marking the elongated room with side alcoves.

In the caliphate, and the Taifa kingdoms, as in the Pottery of Zaragoza, the alhanías are separated by a door, which in Spain is always horseshoe arch.

Aljafería Palace, Zaragoza (1065-1081). Floor of the palace in time taifal.

Almohad Later in the alhanía is more incorporated into the room through a door with a double arch over a central column with booklet folding door.

Alcázar of Sevilla. General plan showing all types of living spaces elongated side alcoves. Those red and orange Almohad mudéjares.

Alcázar of Sevilla. Almohad palace known as the "Patio del Yeso (s. XII). Plan and cross section showing the double-arch span.

Alcázar of Sevilla. Floor of the Palacio de Pedro I showing all types of spaces Long Room with side alcoves.

Finally, in Toledo Mudejar and Moorish art, bedroom or alhanía is separated by a large arch, beautifully incorporating the main space. To give privacy to the bedroom, which served as a bedroom, behind the arch hung curtains delicious splendid damask fabrics. The Cleveland museum has acquired a few years ago a very rich Moorish textile curtains that might belong to the Alhambra in Granada.

Palacio de la Alhambra (s. XIV) . General plan showing all types of living spaces elongated side alcoves.

Palacio de la Alhambra (s. XIV). Hall of the Two Sisters, arch that connects the central room to the bedroom side.

Palacio de la Alhambra (s. XIV). Abencerrajes Hall, double-arch span that connects the central hall with the bedroom side.

Palacio de la Alhambra (s. XIV). Royal Hall or Justice. The Long Room is attached to the side by an arched alcoves create a continuous space.

Conferencia impartida por D. Rafael Manzano Martos el 17 de Noviembre de 2010 en la Escuela de Arquitectura de la Universidad de Notre Dame, EEUU.